Journal article in progress, 'PPL and the management of performers' rights: a story of competing interests', article to be submitted to Popular Music.
Monograph under contract, Performers’ rights: music ownership in the digital era. London: Palgrave Macmillan.
Edited book under contract, with Eric Clarke, Ross Cole and Matthew Pritchard, Remixing music studies: essays in honour of Nicholas Cook. Abingdon: Routledge.
Journal article forthcoming Autumn 2018, '"We want artists to be fully and fairly paid for their work"': discourses on fairness in the neoliberal European copyright reform', Journal of Intellectual Property, Information Technology and Electronic Commerce Law.
Book chapter 2018, 'Pioneering the orchestra-owned label: LSO Live in an industry in crisis' in Tina K. Ramnarine, ed.: Global Perspectives on Orchestras: Essays on Collective Creativity and Social Agency, OUP.
Journal article 2017, ‘Distributed ownership in music: between authorship and performance’, Social & Legal Studies, doi: https://doi.org/10.1177/0964663917734300.
Short article 2017, Discursos sobre performers en la era digital: la campaña por una internet más justa para performers, Revista Telos, no.106.
Review 2015, Review of Matt Stahl’s (2013) Unfree masters: recording artists and the politics of work, Journal of Popular Music Studies 27 (2), pp.235-8.
Journal article 2014, 'Negotiating liveness: technology, economics and the artwork in LSO Live', Music and Letters, vol.95, no.2, pp.251-272.