ananay aguilar

I am passionate about the interface between policy and commerce in the music industry and its impact on the everyday lives and creative skills of talented musicians. Over the last ten years I have engaged in music industry issues reaching into and integrating the fields of education, technology, law and economics.

I am a Mellon CDI Teaching Fellow at CRASSH, University of Cambridge. In this role I organised and delivered a course for doctoral students and scholars interested in creating lasting collaborations with industry and government representatives.

In the last four years prior to this, I led the Leverhulme-funded project from which this website originated. The project examined the impact of copyright law on performers’ earnings and their ability to deploy their creative skills. I built on methodologies developed during my PhD on the London Symphony Orchestra’s label LSO Live, drawing on interviews and ethnographic observation combined with the analysis of musicians’ contracts, case law and industry and government reports. While based at the Faculty of Music, through affiliation with the Centre for Intellectual Property and Information Law, CIPIL, I gained access to training resources and collaborators in law. This enabled me to offer rigorous findings on the intersection of music and law.

During the tenure of this fellowship I also:

  • Gave regular talks at academic and public-facing events.
  • Lectured at undergraduate and postgraduate level on music industry and policy themes.
  • Collaborated with musicians and industry professionals in a variety of genres and at all career stages.
  • Collaborated with distinguished scholars in the fields of law, sociology, anthropology and politics.
  • Acted as Early Career Researchers' Representative, contributing to and shaping Faculty board and University-wide decisions.
  • Organised and secured funding for multi-disciplinary, cross-sectoral events.